Opening this Friday, March 7th at Bunnycutlet Gallery in Brooklyn, New York is the two person show “The Devil’s Garden" which features work by artist Anthony Freda. You can check out an extended preview of Freda’s work below:
Canvas backdrops behind trees Myoung Ho Lee
Myoung Ho Lee photographs solitary trees framed against white canvas backdrops in the middle of natural landscapes. To install the large canvases, which span approximately 60 by 45 feet, the artist enlists a production crew and heavy cranes. Minor components of the canvas support system, such as ropes or bars, are later removed from the photograph through minimal digital retouching, creating the illusion that the backdrop is floating behind the tree
Self-awareness, apparently, is no picnic. William James described the self as that kernel of consciousness that persists throughout various experiences and sensations. The self is divided between the stream of consciousness and an internal observer—except in those rare moments when we dissolve into mysticism.
Escaping continual self-observation seems an underappreciated pleasure. Roy Baumeister wrote an entire book devoted to the premise that self-awareness is frequently a burden. Across cultures, we blunt awareness with alcohol, drugs, auto-hypnotic rituals and when times are dire, suicide.
Meditation offers relief from this self-preoccupation and one of the few tools for creating a durable boost in happiness—perhaps by dampening activity in regions implicated in judgment, comparison, planning and self-scrutiny.
Unlike meditation, orgasm seems a heightened sense of being within one’s body rather than the sense of being outside of it. The disconnected awareness meditation (“I am not my thoughts, I am not this experience”) is antithetical to the self-forgetting of sex in which wallowing in the experience, and the relationship, is precisely the point.